Purpose

Johannes Tinctoris, one of Renaissance theorists and composers, defines music as “a group of sounds made of human and instruments” in the second half of the 15th century.

Schedule

Deadline for Abstract Submission
March 24th / 2019
Declaration of Accepted Abstracts
March 31th / 2019
Deadline for the Payment of Participation Fees
April 07th / 2019
Announcement of the Symposium Program
April 14th / 2019
Symposium Date
April 25-26-27th 2019

Place

Kütahya Hilton Garden INN

Servi Mahallesi, Atatürk Bulvarı No:21 43030 Kütahya, Turkey

P: 0274 229 55 55

Amaç ve Kapsam

Rönesans kuramcılarından ve bestecilerinden Johannes Tinctoris, 15. yüzyılın ikinci yarısında müzikle ilgili ileri sürdüğü görüşlerden birinde müziği şöyle tanımlar: “Müzik, insan sesi ve çalgı seslerinden oluşan bir bütündür”.

Takvim

Bildiri Özetlerinin Son Gönderimi: 24 Mart 2019
Kabul Edilen Özetlerin İlan Tarihi: 31 Mart 2019
Ücretlerin Son Gönderim Tarihi: 7 Nisan 2019
Sempozyum Programı İlan Tarihi: 14 Nisan 2019
Sempozyum Tarihi: 25-26-27 Nisan  2019

Yer

Kütahya Hilton Garden INN

Servi Mahallesi, Atatürk Bulvarı No:21 43030 Kütahya, Türkiye

T: 0274 229 55 55

MUSIC IN HUMAN LIFE

KEYNOTE SPEAKERS / DAVETLİ KONUŞMACILAR

Prof. Dr. Keith HOWARD

Prof. Dr. Jan HEMMING

Prof. Dr. Martin STOKES

It is highly understandable why thousands of researches are done in different disciplines about the place of music in human life. Definitions based on its meaning and function, concepts introduced and hypotheses suggested, classifications of musical genres again from differentially. Accepting music in every case is firstly quite hard, is quite hard for the academy. Nevertheless, the importance, effect and power of the music in human life is very obvious.

The theme of the International Hisarlı Ahmet Music Symposium (2019), in which academicians from different disciplines on different issues for 10 years, has been defined to be “Music in Human Life”. The following subheadings are suggestions for the symposium theme:

  • Music and Society, Social Change and Music
  • Musician, Audience and Social Roles
  • Change in Music, Continuity in Music
  • New Perspectives on Cultural Industry
  • Change and Music Industry
  • Local and Global Dynamics in Music
  • Music as a Way of Expression
  • Making Science on Music
  • Music and Academy
  • Classifying music in terms of value